"In the fall of 1964 Finley was in the doghouse in Kansas City because of his seemingly constanct efforts to move the team someplace else–it was Dallas one day, Seattle the next, Oakland every third Wednesday, etc.–and to gain fan approval he engineered a concert with the Beatles in Kansas City. Finley saw that the Beatles did not have a Kansas City stop on their first U.S. tour, and he tracked down manager Brian Epstein at the Cow Palace in San Francisco to try to bring the band to Municipal Stadium. He offered $50,000 for an appearance, but Epstein said that the going price was $100,000 so Finley countered with a $150,000 offer.
Epstein agreed to divert the band’s tour to Kansas City for an additional concert date at the Kansas City Municipal Stadium, and they played on September 17, 1964 for only 31 minutes to a crowd of about 20,208 fans. Drew Dimmel recalled that “When confirmation was announced on my local ‘rock’ station, WHB, that tickets were going on sale to see The Beatles, live, at Municipal Stadium in Kansas City I persuaded my dad to drive me down to the ticket booth. I bought two field-level tickets, paying $6.50 apiece; one for my little brother and one for me. I was 15 and he was 12.” In actuality, the standard ticket price for this concert was $8.50, making it the highest in the 1964 tour, except for one concert in New York City. But Finley also had a $2.00 ticket, which is one of the lowest admission prices of any Beatles concert. Never shy about publicity, the back of the $8.50 tickets featured Charlie Finley wearing a Beatles Wig as a joke.
Jim Schaaf, who ran the A’s promotions department in Kansas City, recalled the excitement surrounding that first Beatles tour through the U.S. The band “came in early in the morning, and there was all kind of people at the Muelbach Hotel. I mean, people lined up all over the place…young kids out there when the Beatles came in, and then…When these guys came in, they got in about 2:00am…and they were a bunch of fun guys. They didn’t go to sleep.” The next morning they held a press conference, inviting all of the high school journalists in the Kansas City area to meet the Beatles. Schaaf recalled trying to get them out of bed, “I felt a heck of a lot of pressure because they wouldn’t get up!” Schaaf knew this was something that Finley prized, and he eventually pushed the press conference back to noon and it turned out well. Finley was delighted. Schaaf concluded, “I thought we had a big crowd because we had people sitting on the infield.”
The Beatles began their set with the song “Kansas City/Hey, Hey, Hey, Hey,” and the crowd went wild. Some fans rushed the stage but stage manager Derek Taylor settled them down. The Beatles then continued their show. Because it did not sell out, Finley did not make back his promotion of the concert. Of course, some did make money on the deal, especially the two people who acquired the sheets on the beds of the Beatles rooms in their hotel. They cut them into small squares and sold them as souvenirs. They netted $159,000 for their efforts."
Here are a few recordings from The Beatles' only Kansas City visit:
"In 1968 Robin Cruikshank’s small design company began working for Apple. At that time its management included Neil Aspinal, Peter Browne, Derek Taylor and Ron Kass and of course the four members of the Beatles.
In 1969 Ringo moved house to Hampstead and Robin was called in to help him realise some of the designs that Ringo and Maureen required for their new home. First on the list was the stainless steel fireplace. Robin had just started prototyping a new steel and glass furniture collection, and Ringo was able to add his own design ideas and improvements to Robin’s initial concepts.Their mutual interest in hi fi also helped further inspire the process with some interesting off the wall results.
The Chairman of Cunard approached Ringo and Robin to ask if they could design a disco for one of their London Hotels. Ringo’s experience was invaluable on this project. Although the project was later abandoned by Cunard it had helped to cement a good working relationship and friendship between the pair.
A host of new designs were created and with all this activity it was agreed that they should see if they could reform Robin’s company, then called ROBIN Ltd, and rename it ROR Ltd. The logo would retain the big RED O but place a five pointed star over it and a R each side. Terms were agreed and a new company was born with a memorable and appropriate new logo! Ringo’s received a 51% stake and Robin a 49% stake, with any disagreements to be resolved by the toss of a coin!
ROR’s new offices were on the top floor of Apple in Saville Row, next door to Ringo’s own office. The ideas continued to flourish and a young architect was bought in to help with all the detail design, a pretty but very competent young secretary was employed to run the very necessary administration.
Liberty’s – the first exhibition
Robin had contacts in Liberty’s of Regent Street, where he had sold his earlier designs. Liberty’s asked if ROR would like to stage an exhibition. The then British Steel Corporation wanted to use ROR designs in its advertising campaign due to their interesting use of stainless steel and in particular Ringo’s Rolls Royce table
As a result of these two almost simultaneous approaches, British Steel’s advertising campaign and a wave of favourable media coverage got The Liberty Exhibition off to a wonderful start. Liberty’s attendance figures rose dramatically for the exhibition period and ROR virtually sold out.
Robin recalls that he, Ringo and the Liberty staff were assembling and putting the final touches to the items on display right up until the last hour before the exhibition opened. This left Ringo barely enough time to get dressed and get ready and collect Maureen for the opening launch party. During this period Apple moved from Saville Row to St James Street, where ROR were given a spectacular display window which they were able to use to good effect.
Exhibitions followed at Harvey Nicholls and again at Liberty’s. International exhibitions were held overseas in Paris, New York and even in Lagos!"
Source: http://www.rorarchive.com
By request, here is a super-rare one-sided single recorded by Ringo in mid-1971 to promote the September exhibition at Liberty's:
